In the works of the SEAM series, matter condenses into a breathing organism. Paint becomes the carrier of an inner motion—applied, layered, torn open again—as if each stratum preserved the imprint of a past energy. The surface appears not smooth but permeable: a membrane between the visible and the invisible, between becoming and fading.

Detail views highlighting the work’s texture and structure

Depth arises from the materiality itself. It is not created through illusion, but through condensation—through the interflow of density and transparency, of radiance and stillness. The eye traces these zones as if they were geological formations in which time has become sedimented.

SEAM thus becomes a place of contact: between body and space, color and light, surface and interiority. Within this tactile, vibrating layer, transition reveals itself as a state — a suspension between substance and dissolution.