Bildkörper established from 2010 onward.

The work does not treat perception as given, but as a condition produced under specific circumstances.
The image itself is not central, but the organization of what can appear as image.

Bildkörper are not representations.
They are operative states of materially bound perception.

The work does not emerge from a medium, but from the displacement of its conditions.
Early influences do not function as a system of reference, but as structural dispositions in the handling of material, placement, and spatial organization.

Between 2010 and 2014, a working context emerged around open and process-oriented concepts of art, in which the work was understood not as a completed object, but as a relational structure.

This logic does not continue.
It condenses.

The Bildkörper do not stabilize a common language.
They produce different conditions of the same practice.
The practice does not stabilize categories of image, space, or object.
It operates in their transitions.
No medium is asserted.
Conditions are set.
No Bildkörper replaces the previous one.
Each alters the conditions of its continuation.
The works do not circulate freely.
They are transferred selectively into collection and institutional contexts.